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The Ultimate 3-D Collection (Haunted Castle / Alien Adventure / Encounter in the Third Dimension) (Large Format) (Includes H3D Viewing System) Without question, 3-D technology has come a long way since the days of red and green cardboard glasses, and The Ultimate 3-D Collection is ample proof. Included in the set are three roughly 30-minute animated features (Alien Adventure, Encounter in the Third Dimension, and Haunted Castle) and the H3D "i-glasses" hardware you need to enjoy them: a small processing box to insert between your DVD player and your TV, two sets of viewing goggles, and all the cabling you need to put it together. By and large, the sense of real depth conveyed by each feature is astoundingly convincing, especially during the many point-of-view fantasy sequences; crags and dinosaur limbs seem to jut halfway between the screen and your viewing position. Be warned, though, that the discs' image and color resolutions vary from poor (Alien Adventure) to mediocre (Encounter in the Third Dimension) to quite good (Haunted Castle). Encounter, originally produced to showcase "large-format" 3-D (i.e., a towering IMAX screen), features fun snippets of old films and even a few stereographic still photos. None of these fills the screen or lasts very long, however, and the process reverts to standard 2-D imaging in pause mode. While more live-action footage would have been great, Haunted Castle is a real treat. The only disc with an actual story line (a rock & roll reworking of the Faust tale, with credible music to boot), Haunted Castle creates the most convincing sense of depth through real-life elements like trees and torches. The sound on all discs is excellent, enhancing the sense of depth with seamless DTS surround mixes that work well even in headphones. This is an impressive set, and with 3-D technology this good, there's a strong chance the included goggles and processor will see more 3-D action going forward. --Michael Mikesell

AVP - Alien Vs. Predator (Widescreen Edition) In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon

Alien - The Director's Cut (Collector's Edition) A landmark of science fiction and horror, Alien arrived in 1979 between Star Wars and The Empire Strikes Back as a stylishly malevolent alternative to George Lucas's space fantasy. Partially inspired by 1958's It! The Terror from Beyond Space, this instant classic set a tone of its own, offering richly detailed sets, ominous atmosphere, relentless suspense, and a flawless ensemble cast as the crew of the space freighter Nostromo, who fall prey to a vicious creature (designed by Swiss artist H.R. Giger) that had gestated inside one of the ill-fated crew members. In a star-making role, Sigourney Weaver excels as sole survivor Ripley, becoming the screen's most popular heroine in a lucrative movie franchise. To measure the film's success, one need only recall the many images that have been burned into our collective psyche, including the "facehugger," the "chestburster," and Ripley's climactic encounter with the full-grown monster. Impeccably directed by Ridley Scott, Alien is one of the cinema's most unforgettable nightmares. --Jeff Shannon

Alien Planet No description

Aliens (Collector's Edition) Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine

AVP - Alien Vs. Predator (Full Screen Edition) In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon

The Alien Legacy An interesting feature of Alien, Aliens, Alien 3, and Alien Resurrection, worth watching together if only for the chance to see how different directors handle essentially the same idea. The results are decidedly mixed. Ridley Scott's Alien is the most traditional of the bunch, essentially a haunted-house picture set on a space freighter, where a monster is picking off crew members one by one. James Cameron's Aliens is the all-out adrenaline bath, a pulse-pounding action thriller from start to finish. It plays a little like a Western in outer space, where the settlers are waiting for a cavalry that never comes--and the Indians are acid-veined aliens. And David Fincher's Alien 3 is the rock-video version, in which substance and storytelling are sacrificed to editing and imagery, as the aliens attempt to take over a space penal colony. --Marshall Fine

Alien Nation They get drunk on sour milk. They have two hearts and bald, spotted heads. They're highly intelligent, but if you drop them in seawater they'll melt into a puddle of goop. They're "Newcomers," and they arrived as refugees in a massive alien slave-ship, quarantined for three years and then reluctantly accepted as citizens of Earth. To some humans--including seasoned Los Angeles cop Matt Sykes (James Caan)--the Newcomers are unwelcome "slags." Sykes's own virulent "speciesism" intensifies when Newcomer thugs kill his partner, but he sees logic in teaming up with Sam Francisco (Mandy Patinkin), the first Newcomer detective in the LAPD. Francisco's Newcomer knowledge is vital to their investigation of an alien drug ring, and a friendship grows from life-or-death circumstances. A routine cop thriller with a comedic sci-fi twist, Alien Nation> has two things working in its favor: Caan and Patinkin form a memorable duo, and the basic premise--as conceived by Rockne S. O'Bannon (who later developed the film as a TV series)--intelligently accounts for the sociological impact of an alien population. The subtle point is made that humans are extraordinary beings who squander their potential, and the evil of drugs--as dealt by a social-climbing Newcomer played by Terence Stamp--leads to a crisis that threatens to generate global intolerance. These points are well presented in a context of overly familiar plotting and standard-issue sarcasm. It's entertaining for a brisk 90 minutes, but in its attempt to be widely appealing, Alien Nation glosses over issues that might have made it more uniquely provocative. --Jeff Shannon

AVP - Alien Vs. Predator (Unrated Director's Cut) In delivering PG-13-rated excitement, Alien vs. Predator is an acceptably average science-fiction action thriller with some noteworthy highlights, even if it squanders its opportunity to intelligently combine two popular and R-rated franchises. Rabid fans can justifiably ask "Is that all there is?" after a decade of development hell and eager anticipation, but we're compensated by reasonably logical connections to the Alien legacy and the still-kicking Predator franchise (which hinted at AVP rivalry at the end of Predator 2); some cleverly claustrophobic sets, tense atmosphere and impressive digital effects; and a climactic AVP smackdown that's not half bad. This disposable junk should've been better, but nobody who's seen Mortal Kombat or Resident Evil should be surprised by writer-director Paul W.S. Anderson's lack of imagination. As a brisk, 90-minute exercise in generic thrills, however, Anderson's work is occasionally impressive... right up to his shameless opening for yet another sequel. --Jeff Shannon

Alien Quadrilogy The Alien Quadrilogy is a nine-disc boxed set devoted to the four Alien films. Although previously available on DVD as the Alien Legacy, here they have been repackaged with vastly more extras and with upgraded sound and picture. For anyone who hasn't been in hypersleep for the last 25 years, this series needs no introduction, though for the first time each film now comes in both original and "special edition" form. Alien (1979) was so perfect it didn't need fixing, and Ridley Scott's 2003 director's cut is fiddling for the sake of fiddling. Watch it once, then return to the majestic, perfectly paced original. Conversely, the special edition of James Cameron's Aliens (1986) is the definitive version, though it's nice to finally have the theatrical cut on DVD for comparison. Most interesting is the alternative Alien 3 (1992). This isn't a "director's cut"--David Fincher refused to have any involvement with this release--but a 1991 work-print that runs 29 minutes longer than the theatrical version, and has now been restored, remastered, and finished off with (unfortunately) cheap new CGI. Still, it's truly fascinating, offering a different insight into a flawed masterpiece. The expanded opening is visually breathtaking, the central firestorm is much longer, and a subplot involving Paul McGann's character adds considerable depth to story. The ending is also subtly but significantly different. Alien: Resurrection (1997) always was a mess with a handful of brilliant scenes, and the special edition just makes it eight minutes longer. The Alien Quadrilogy offers the first and fourth films with DTS soundtracks, the others having still fine Dolby Digital 5.1 presentation. All four films sound fantastic, with much low-level detail revealed for the first time. Each is anamorphically enhanced at the correct original aspect ratio, and the prints and transfers are superlative. Every film offers a commentary track that lends insight into the creative process--though the Scott-only commentary and isolated music score from the first Alien DVD release are missing here. Each movie is complemented by a separate disc packed with hours of seriously detailed documentaries (all presented in full-screen with clips letterboxed), thousands of photos, production stills, and storyboards, giving a level of inside information for the dedicated buff only surpassed by the Lord of the Rings extended DVD sets. A ninth DVD compiles miscellaneous material, including an hourlong documentary and even all the extras from the old Alien laserdisc. "Exhaustive" hardly beings to describe the Alien Quadrilogy, a set that establishes the new DVD benchmark for retrospective releases and looks unlikely to be surpassed for some time. --Gary S. Dalkin

Aliens (Special Edition) Aliens is one of the few cases of a sequel that far surpassed the original. Sigourney Weaver returns as Ripley, who awakens on Earth only to discover that she has been hibernating in space so long that everyone she knows is dead. Then she is talked into traveling (along with a squad of Marines) to a planet under assault by the same aliens that nearly killed her. Once she gets there, she finds a lost little girl who triggers her maternal instincts--and she discovers that the company has once again double-crossed her, in hopes of capturing one of the aliens to study as a military weapon. Directed and written by James Cameron, this is one of the most intensely exciting (not to mention intensely frightening) action films ever, with a large ensemble cast that includes Bill Paxton, Lance Henriksen, Paul Reiser, and Michael Biehn. Weaver defined the action woman in this film and walked away with an Oscar nomination for her trouble. --Marshall Fine

Alien 3 (Collector's Edition) The least successful film in this series was directed by stylemaster (and content-underachiever) David Fincher. Ripley, the only survivor of her past mission, awakens on a prison planet in the far corners of the solar system. As she tries to recover, she realizes that not only has an alien gotten loose on the planet, the alien has implanted one of its own within her. As she battles the prison authorities (and is aided by the prisoners) in trying to kill the alien, she must also cope with a distinctly shortened lifespan that awaits her. But the striking imagery makes for muddled action and the script confuses it further. The ending looks startling but it takes a long time--and a not particularly satisfying journey--to get there. --Marshall Fine

Close Encounters: Proof of Alien Contact No description

Alien Tracker No description

The Alien Saga No description

Alien 3000 No description